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Photography by Dwight Primiano

Politics in the Workshop

The blacksmith became a popular subject in nineteenth-century painting and poetry as a figure of honest labor and independent, rural values. His trade required both intelligence and physical strength. Thomas Waterman Wood’s well-rounded individual takes an inviting stance, gesturing as if he’s ready to discuss the events reported in the newspaper he holds. The work of the blacksmith signaled a return to normalcy after the Civil War, as he transformed wartime weapons into everyday tools.

ArtistThomas Waterman Wood(1823-1903)
Date1867
MediumOil on canvas
Dimensions39 x 34 x 4 in. (99.1 x 86.4 x 10.2 cm)
Signedl.l., in brown paint: T. W. Wood 1867.
Credit LinePromised Gift to Crystal Bridges Museum of American Art, Bentonville, Arkansas
ClassificationPainting
On ViewNo
Politics in the Work…39 × 34 in.Tennis Ball2.7 in. diameter

This artwork's face covers about 182× the area of a tennis ball.Drawn to the same scale.

Politics in the Workshop by Thomas Waterman Wood | Crystal Bridges