In this work, the artist assembled two human-like figures from everyday objects. On the left, a white half-orb floats atop a painted broom. On the right, a stack of discarded side tables supports an open umbrella. Rauschenberg called these assemblages "combines": they bring together seemingly unrelated things to spark new ways of looking. At the same time, they point to the abundance of everyday stuff consumed by postwar Americans.

Originally made for the set of a dance performance inspired by the Adonis and Persephone myth, the figures could represent these two characters. Or perhaps they reference the artist's own life: during this period, Rauschenberg was intimately involved with fellow artist Jasper Johns, whose work is shown nearby. "We gave each other permission," Rauschenberg once said. Together, as a towering pair, they found new ways of working beyond the gestural, Abstract Expressionist style of painting that dominated American art in this period.