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Photography by Edward C. Robison III

Untitled (Wall Hanging)

Abstract sculptor Melvin Edwards began working with barbed wire as his chosen medium in 1969. Although visually compelling, barbed wire historically symbolizes brutality. To Edwards, it represents slavery and detainment. He uses this material to create “spaces of risk” by confining it to a wall or welded metal. In describing the medium, Edwards has said, “Wire, like most linear materials, has a history both as obstacle and enclosure, but barbed wire has the added capacity of painfully dynamic and aggressive resistance if contacted unintelligently.”

ArtistaMelvin Edwards(1937-2026)
Fecha1982
MedioWelded steel
Dimensiones16 x 11 5/16 x 2 5/16 in. (40.6 x 28.7 x 5.8 cm)
Firmadoverso: MEL [indistinct]
Línea de créditoCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2018.2
ClasificaciónSculpture
ProcedenciaArtist; (Stephen Friedman Fine Art, London, England); purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2018
En exhibiciónNo
Untitled (Wall Hangi…16 × 11.3 in.Tennis Ball2.7 in. diameter

This artwork's face covers about 25× the area of a tennis ball.Drawn to the same scale.